The Steps That A Future Fashion Designer Must Know (Two)

Placing objects on both sides of the picture can not only emphasize, but also produce contrast.

The upper and lower sides of the picture, the four corners of the left and right sides and the diagonal line all have potential strength points, and at this point, photographs, headlines, signs, marks and so on can reveal the hidden power.

Therefore, in the potential position of opposites, the placement of distinct elements can display contrast relations and produce a compact picture.

Layout is also like stage design. When the relationship between the protagonist and the supporting actor is very clear, the audience's psychology will be stabilized.

It is clear that the master-slave approach is a very orthodox way of making people feel at ease.

If the relationship between them is blurred, it will make people feel confused. On the contrary, the protagonist is too strong to lose motion and become vulgar.

The protagonist in the play is easy to see.

If you are able to show the protagonist in the layout, you will make readers more aware of the content.

Therefore, master-slave relationship is the basic condition for designing and configuring.

The beginning of a story has a beginning, a description, a change and a result.

In a courtyard, there are also matching of rockery, pool water, vegetation, waterfalls and so on.

Similarly, there are intense dynamic and quiet parts in the design and configuration.

The shape of diffusion or flow is "motion".

The shape of horizontal or vertical reinforcement is "static".

The two are allocated in relative places while the "dynamic" part takes up a large area.

The "static" part takes up a small area, and appropriate white space is set aside to emphasize its independence.

Such an arrangement is generally used in the four corner of the screen.

Therefore, although the static part only occupies a small area, it has a strong sense of existence.

In contrast, there are various contrasts between curves and straight lines, vertical and horizontal, acute angles and obtuse angles.

If we combine these contrasts and these elements together, we can create a changeable picture.

The layout of the whole space is dynamic because of the relationship of various forces, and thus dominates the space.

The dynamic shape and the other shape that accept this dynamic coordinate each other to make the space change more vivid.

When we want to build rockery gardens, we pay great attention to the outlet of water, because the outlet of water is the starting point of movement, and the entire garden will be affected by it.

When it comes to layout and principle, starting points and receiving points will echo each other and coordinate.

The larger the distance, the more significant the effect is, and the two ends of the picture can be utilized. However, the balance between starting point and receiving point must be balanced. It is necessary to have appropriate changes in strength and weakness. If a weak FOTILE is weak, it will not resonate.