The Essence Of Dress Beauty

The so-called harmony of dress

Without such profound knowledge of ourselves and the world, we can not express this harmonious beauty.

Some people dress to express their personalities and differences. It should be said that it is a lower level beauty, though the expression of individuality is extremely natural and reasonable.

The beauty of belief in dress, or the beauty of reason and the beauty of thinking, is the ultimate reality of fashion aesthetics.

Any brand.

Therefore, we see that many fashion designers incorporate some cultural, scientific and even religious themes into fashion design to express their thoughts and ideas.

Undoubtedly, this is the biggest "added value" of fashion and the only way to seek elegance.

Elegant clothing is bound to integrate elegant thoughts and feelings into human's deep exploration of freedom and love.

This beauty value is higher than the formal aesthetics: you can not render a beautiful painting to the costumes, but think it is a beautiful dress.

In the clothing design, the golden section method is used everywhere, but it is not the core factor of the beauty of fashion.

The beauty of the soul of the so-called clothing is not realized by practical means, because it is close to the soul, and it is close to the death. It is close to the destruction of the body. The existence of clothing is based on nothing.

But this is indeed a kind of beauty, just like the beauty expressed in Jesus's sufferings.

He was crucified and did not need to wear clothes.

British designer Alexander McCune may be pursuing this kind of beauty. Yes, he is pursuing this kind of beauty with death.

There are no six orders of beauty for clothing.

For the specific fashion design, only the beauty of practical beauty and the beauty of divinity will create "perfect" costumes.

Of course, absolute perfection does not exist.

This article is not to weaken our ancestors' pursuit of beauty, or to express their understanding of beauty after entering modern civilization.

China's archaeological evidence shows that at least in the Neolithic age, our ancestors had the habit of wearing ornaments. Obviously, the necklace string up with shells is not to resist the cold.

And things like tattoos are long before.

Records of ethnic customs in Chu and even the southern coastal areas are recorded in historical records and The Classic of the Great Wilderness.

There are many records in the The Classic of the Great Wilderness that people from some ethnic groups or tribes wear ornaments from animals on their ears.

The author does not approve of the fact that clothes are for shame.

Because the worship of reproduction has existed since ancient times, and it became more prevalent in ancient times, it is not the reason why clothes are born.

Even if you see some aboriginal people hiding something from the lower body in the movie, and other places are exposed, the original intention is not because they think sex is shameful, but because they protect their fragile parts or protect their privacy.

Human privacy thinking is at least earlier than sexual disgrace.

With the progress of human civilization, the beauty of dress will be more and more inclined to the beauty of divinity.

Especially from the works of those masters, we can see this more.