Changes In Clothing Thirty Years To Reflect Changes In The Times

In the 70s of last century, green military uniform, Chinese tunic suit, tooling, bell bottoms, blouse, bodybuilding trousers, blouse, school uniform in 90s, fashionable clothes in the new century, and red T-shirt after the 2008 Wenchuan earthquake, were published in the 70s.

A few days ago, in the new century clothing trade city of Dahongmen, Beijing, these classic costumes representing the 30 years of reform and opening up were reappearing in the eyes of the public. The workers in this trade city wore "fashionable clothes" representing different times, and performed the "wear over" 30 years' behavior art exhibition.

In the new century clothing trade city shopping mall, a reform and opening up 30 years of clothing Change Exhibition and behavior art exhibition at the same time.

People see in the window of the mall: tickets, sailor shirts, Pierre Cardin...

A series of popular expressions since the 70s of last century have first come into view.

Outside the window, models worn by the "iconic costumes" of the different ages represent workers of different identities, including workers, citizens and students.

Among them, a man who represents the image of the workers in the 70s of last century wore a blue overalls and pushed an old "forever" bicycle to show the prevailing fashion. A young man was wearing a sea jacket, a toad and a guitar. He was singing along the way. This is the image of the youth of fashion in the last century of the 80s.

The 30 years of "wear" has not only attracted many people to watch, but also resonated with many citizens.

Many audiences have seen the costumes showing in different ages, and they are filled with emotion. They say that 30 years after reform and opening up, the society has changed greatly.

"30 years ago, we were dressed in a single style and single cloth, often wearing a piece of clothing for four seasons."

Jiang Hua, who was born in the late 60s of last century and engaged in clothing business, said: "today, our dress has undergone tremendous changes. Now it is not only colorful, but also fashionable."

Miss Wu, who works in government offices, recalls her childhood: "when we were little, we were very looking forward to the new year, because it was only during the new year that our family would make new clothes for their children. They were basically worn by two older sisters."

"When I was a child, when I was one month away from the new year, my mother bought a little cloth and cut it out for children to prepare new clothes for the new year."

Ms. Wu said, "my mother uses sewing machines every night until late at night.

The second day we get up early, the first thing is to see what our new clothes look like.

Ms. Wu's feelings are only a microcosm of many people's way of life in China at the same time.

In the spring of 1979, Pierre Cardin, a famous French fashion designer, was invited to hold a fashion show at Beijing national culture palace.

The colourful clothing on the stage contrasts sharply with the "gray, black and blue" on the stage.

27 years later, in 2006, Chinese designer Xie Feng landed in Paris fashion week with his clothing brand and became a symbol of Chinese designers entering the international fashion industry.

In less than 30 years, great changes have taken place in the living standards and aesthetic standards of Chinese people.

In an era of increasingly rich and colorful colors, Chinese people's understanding of fashion is no longer confined to foreign brands such as Pierre Cardin. In fashion trends, "hot bell pants" and "bat shirts" have been remembered as hot clothing terms.

Sun Yanjing, a professor at Beijing Normal University, thinks that the development of clothing reflects the development and changes of social politics, economy, folk customs, ethics, social customs, values and social psychology, reflecting the people's different life style, aesthetic interest and different understanding and pursuit of fashion in different periods.

Over the past 30 years of reform and opening up, the Chinese lifestyle and the concept of clothing have undergone a subversive change.

"Clothing is a kind of memory and a historical picture on it."

Bo Chengshu, general manager of Dahongmen new century clothing trade city, said: "the rules and regulations for people to wear clothes have been replaced by fashion consumption concepts. For those who have experienced reform and opening up, the changes in every style of their costumes have left the rings of the era."

Yang Jing: editor in charge