Designer Luo Zheng And Her Wind Rose.

As "the two generation of the textile Ministry", I like the beauty and personality of the clothing from a young age. At the age of 10, he designed the birthday celebration suit. The students have designed the small samples in the students' age, and let the tailor help themselves to do "different" clothes. So we have seen in many of the biographies of the fashion masters that Luo Zheng's bones are doomed to the indissoluble bond with fashion.

After graduating from college, as a graduate of international trade who has not received professional training in art, Luo Zheng chose to become a fashion designer, which now sounds legendary.

Luo Zheng likes to use the seemingly simple design to blend human function aesthetics, and use stereoscopic cutting to make the figure of the woman appear smoother and easier to wear.

Therefore, Yu Dan, a master of Chinese culture, evaluated Luo Zheng's fashion style, which was full of goodwill and could give women confidence, rather than picking the wearer's figure with the size of clothes.

Luo Zheng said that her aesthetic accomplishment was influenced by her mother. The mother who worked in the national textile department was the first group of Chinese to see international culture. Luo Zheng also had the opportunity to touch the international popular information that most people could not reach at an early age.

Therefore, her design is a very typical combination of Chinese and western. Combining Chinese elements with western fashion technology, Luo Zheng has many "China first" honor as a Chinese fashion designer. She is the first designer in Shenzhen to win the highest award in Chinese fashion design. She is the first Chinese fashion designer to win the platinum award of the US NAUTICA creative fund. She is the first Chinese fashion designer to go to Le Louvre Museum in France. She is the first Chinese fashion designer in New York fashion week.

It is precisely because the eyes touch the deep integration of Western Aesthetics and the core of oriental aesthetics that Luo Zheng's design can always surpass popularity and give the most charming lines and colors of "dream".

"I think Oriental dress is a kind of romantic atmosphere. That kind of elegance is my understanding of Oriental culture. It is a beauty of artistic conception. When it is still and moving, there is a sense of wind. It is a great romance with vitality.

-- Luo Zheng

Cruise in the time of Oriental Aesthetics

Luo Zheng likes to dream and love everything. He has been designing fashion for 18 years. Luo Zheng has finally found the most beautiful style in his mind. That is the "LUOZHENG" with the Oriental aesthetic conception as its source.

Luo Zheng, driven by art, has been following and reforming fashion design. However, the new awakening of design concept began in 2008. She was a great success as the first Chinese fashion designer in New York fashion week.

"Because we often win the award, all of us did not win second of the games, they were all number one, so they seldom reflect on that. In that time, we had the opportunity to cooperate with a truly professional international team in New York. I finally reflected on it."

Since then, an idea has begun to germinate in Luo Zheng's heart, which is to create a personal high quality clothing brand "LUOZHENG".

Although many friends have advised her to create such a brand, it takes a lot of risk. However, such a "no need to do" discourage, she heard many times when she founded the OMNIALUO OMNIALUO in 1996. So far, she has nearly two hundred stores in the country and won numerous honors, so she insists on her dream.

"I think there are many things in life. When you are grey headed, think about these things again.

You will not regret what you have done, but you will regret it because you have not done anything.

At the very beginning of the creation of "LUOZHENG", which is integrated with contemporary life and more full of Luo Zheng personality, based on oriental aesthetics, it ushered in a high honor, which is to design clothes for leaders of this APEC conference.

Luo Zheng's APEC costume design uses the traditional Xiang Wen of "seawater Jiangya (cliff)" as an element. With the outline of the sky and the place, the elegant oriental color, the exquisite and subtle song brocade fabrics, numerous modifications and sample making, a complete set of excellent works representing the high level of Chinese costume design has been completed. At the same time, the APEC conference has expressed the wish of "meeting the good with the water and helping the boat together".