"Pioneer Cup" 2018 Chinese Textile Heritage Promotion Ambassadors 14 Nominated Candidates And Network Selection Began



The "pioneer Cup" 2018 China Textile heritage Promotion Ambassador selection campaign was officially launched in July 2018 as a series of activities of the second China Textile intangible cultural heritage conference.

After nearly two months of comprehensive solicitation, recommendation and strict evaluation of the Organizing Committee of the general assembly, the list of 14 shortlisted candidates has been confirmed.

In accordance with the selection procedure, the list of candidates nominated by the official media of the general assembly (arranged by name, without distinction) and personal deeds will be published by the official media of the conference, and the network selection will be conducted from September 19, 2018 to September 21st. The results of the network selection will serve as a reference for the final assessment of the expert committee.

The final results will be officially announced on November 2018 at the second China Textile intangible cultural heritage conference, held in Miyun ancient North Water Town in Beijing.

The theme of the second China Textile intangible cultural heritage conference is "building the community of development of textile heritage". It is sponsored by the China Textile Industry Federation, the China Textile Industry Federation's Intangible Cultural Heritage Office, the China Textile Industry Federation news center and the Limited by Share Ltd.

Since the launching of the selection ceremony, we have received extensive attention and enthusiastic participation from entrepreneurs, designers, textile heritage, research experts and people from all walks of life in the textile industry.

If you are touched by their deeds and their deeds, please vote for your valuable vote. Your participation is support for the textile legacy industry, and it is affirmation and encouragement for every worker engaged in textile and intangible heritage.

No. 1 Yu Dan Hui

Beijing Dirui Yun Shang Trading Co., Ltd.

Brand creative director, founder

Reasons for entry: the best way to protect the intangible heritage is to give traditional skills to life with the power of design.

She pays tribute to those artists who stick to their hearts as they do with their unique aesthetic perspectives and design concepts.

Love for Chinese traditional culture and costume design has been pushing Yu Dan to pursue the perfect combination of the two.

Over the years, she has taken her heart and roots, traced the land of her motherland with her feet, and looked for the bright pearl that was lost in the long river of years.

In the process, she found that there are too many lonely artisans who stick to their hearts and traditional culture wandering on the edge of survival.

At this time, she even strengthened her direction.

In 2013, Yu Dan founded the D RITA brand. The brand research and development category mainly consists of non-woven fabrics and embroidery (Beijing embroidery) accessories.

In the process of clothing design and production, she often butt herself with the inheritors, and deeply understand the cultural symbols behind the skills, showing the core connotation of Chinese traditional culture in the form of design inspiration and art, realizing the new combination of traditional culture and clothing, creating the image of the intangible heritage in line with the present, and making the intangible cultural heritage into people's daily life.

After the establishment of the D RITA brand in 2013, a number of costumes show events were held.

In 2016, the "thick" new Chinese fashion show was held in 2016. In 2107, adhering to the design concept of "making the past serve the present and blending the West with China", the new Chinese fashion show of "Xiu garden" was held. In 2017 and 2018, during the "cultural and natural Heritage Day", invited to participate in the series of Chinese embroidered embroidery, the Chinese Intangible Cultural Heritage Exhibition held by the Gong Wang Fu House of the Ministry of culture, brought with them the other non heritage costumes featuring the theme of "Beijing rhyme embroidery".

In the future development, Yu Dan will continue to walk into the mountains and approach the embroidered mother to find inspiration for creation, to bring forward fashion and traditional handicrafts to collide, carry forward the Oriental life aesthetics culture, and constantly create fashion products, so that Chinese traditional culture and traditional handmade art will have a long history, and the beauty of Chinese handcrafts will affect the world and make Chinese craftsmen spirit pass down from generation to generation.

Beijing Mu Zhen Fashion Co., Ltd.

Chairman and chief designer

Reasons for entering the list: advocating that the interpretation of fashion should be full of artistic spirit and individuality of life. She uses her own way to arouse the public's love for intangible heritage and create exquisite life with the beauty of non heritage.

Wang Xiaolin, the "top ten fashion designer in China", is a woman who is full of real sense of life and creates love and beauty with her heart.

She always said, "I always have a sense of urgency in life. I want to give life and color every day. Every day is a new beginning."

In the early 80s of last century, she began to be engaged in clothing management. In 1996, he founded the Beijing China Zhen Zhen Fashion Co., Ltd.

The nature of "wood" is "natural" and "natural". This is Wang Xiaolin's belief in human nature.

She took the lead in breaking the symmetrical form of traditional Chinese dress, regrafting the traditional fabric patterns, integrating modern and classical bold innovations, bringing fashion into Chinese traditional fashion and bringing it into the international fashion stage.

Adhering to the idea of "inheriting for the nation and innovating for life", at the end of March 2016, with the support of the Ministry of culture, Wang Xiaolin led the Mu Zhen team to set up a traditional workstation in Xiangxi in Xiangxi.

By the end of July 2018, the workstation organized more than 300 local embroidered mothers to study, developed 40 high-end products, and 120 series of products, resulting in economic benefits of more than 1000 million yuan.

In April of the same year, she registered the "non heritage" clothing brand "one good Dutch" and specially set up a designer team.

She led designers to visit villages and villages many times, combined with the academic resources of colleges and universities, and excavated the local traditional crafts and cultural connotations in Xiangxi, and promoted them through tireless design and creation.

During the 2016 cultural heritage day event, some new products took part in the Hunan Cultural Heritage Day series in the form of T show.

In September 25, 2016, the design of the wooden relics was published in Vancouver, Canada, "46th anniversary Sino Canadian diplomatic relations Exhibition".

From 2016 to 2018, under the leadership of chief designer Wang Xiaolin, the company participated in the series of activities such as the 2016 world handicraft industry fair, the splendid Chinese palace, the intangible cultural heritage costumes show, Beijing fashion week, Guangzhou fashion week, the fourth China (Ji'nan) intangible cultural heritage fair, and the Sixth China Chengdu International Intangible Cultural Heritage Festival.

In different times and different times, Wang Xiaolin flexibly broke the form of style that is not suitable for modern life. Through multi-layered cultural integration, he created a new style of keeping pace with the times, and promoted and continued the national spirit, national emotion, national character and national temperament.

President of Liaoning textile and Garment Association

Reason for entry: "Qipao's hometown" is her heart's direction and affection.

Adhere to the strength of the industry to promote the inheritance of Manchu clothing culture, promote the regional brand building of Manchu clothing culture, and help the integration of intangible cultural heritage and fashion industry.

Manchu costumes are the unique cultural symbols of the history of Chinese costumes. Liaoning is the birthplace of Manchu dress culture. As a practitioner of the textile and garment industry, Wang Chong has been digging deep into the history and connotation of Manchu dress culture, promoting the innovation and development of Manchu fashion culture and fashion industry, bringing together local governments, relevant enterprises, scholars and designers to build an exchange and cooperation platform to jointly promote the development of Manchu clothing culture industry and help the inheritance of textile intangible cultural heritage.

In July 2017, Liaoning Manchu dress culture development and promotion center was established in Fushun, and Wang Chong served as the first director.

In September 2017, she led the promotion center to select 12 outstanding fashion designers, selected the full wind series design, and hosted the Manchu clothing culture theme exhibition at the 2017 China (Dalian) International Garment and Textile Fair.

At this theme exhibition, new Chinese style clothes, full wind casual children's clothes, Manchu costumes, hand-painted hand embroidered cheongsam and other classical and fashionable designs have aroused good repercussions.

In June 2018, Wang Chong led the promotion center and the Xinbin Manchu Autonomous County in Fushun to hold the 2018 Manchu dress culture protection and research achievement exhibition, focusing on the related research results, and further promoting the inheritance and innovation development of the Manchu clothing culture.

In addition, she also actively promoted Fushun to create a regional brand of "cheongsam hometown". 2017 and 2018 planned and organized the Fashion Week activities of cheongsam hometown (Fushun Xinbin) for two consecutive years, which played a positive role in promoting the development of Chinese traditional dress culture and enhancing the regional brand influence of cheongsam.

In 2017, the cheongsam industry development plan of Xinbin Manchu Autonomous County was jointly formulated with the China Textile Construction Planning Institute, and the "planning" placed the new guest cheongsam industry as an innovative, green, people's livelihood and power industry. It analyzed the significance of the development of the new cheongsam industry from four levels, namely, the cultural carrier, the industry grasps, the development engine and the city card, and led the direction for the development of the cheongsam industry in Fushun.

In 2018, the first China (Fushun Xinbin) cheongsam conference was held jointly with the textile and clothing weekly magazine and the Fushun Municipal People's government. In 2018, the first international cheongsam model competition was held jointly with the Fushun Municipal People's government.

Over the years, Wang Chong has been sticking to his duties in the post of work, taking the advanced concept and development mode of textile and garment industry, integrating advantages and seeking innovation and pformation, thus promoting the development of Manchuria's clothing culture.

Chairman of Limited by Share Ltd, Shanxi

The reasons for admission are: the mission and responsibility of contemporary Shanxi merchants, cultural reconstruction, and the pursuit of "inheritance of Lu silk civilization and reshaping of Lu silk brilliance".

Lu silk is the representative of the prosperous development of Shanxi's silk industry.

It was named in Changzhi, Shanxi. It was named for Lu Zhou. It was once one of the three famous silk fabrics in China. It is a traditional silk fabric with rich local characteristics.

In 2014, Lu silk hand-made weaving technology was included in the fourth batch of national intangible cultural heritage list.

In the past 30 years, Wang Shuqin has always integrated the essence of Chinese traditional culture and modern management ideas with innovative enterprisers and advanced strategic decisions that conform to the trend of the times. In constant practice and exploration, he has pinpointed the orientation of development and made timely self iteration so that Lu silk can keep its vigor and youth.

She has won the "national advanced female workers", "Shanxi meritorious entrepreneur", "Shanxi provincial science and technology award award advanced individual first prize", "Shanxi economic construction Taurus award advanced individual award", "Shanxi province's special industries outstanding contributors" and many other honors.

His predecessor was Gaoping silk weaving factory, which was put into operation in 1962 and has an annual production capacity of 1 million meters. It is known as "the last flower in Taihang Mountain".

Under the leadership of Wang Shuqin, it is no longer the traditional industrial production, but also pays more attention to cultural reconstruction.

Wang Shuqin believes that the most important thing for an enterprise to maintain its vitality is innovation, and the driving force of innovation will always come from the market, and new markets will be developed by relying on new products and technologies.

Under the guidance of Wang Shuqin's deep excavation and precise positioning of Lu silk, the product development of Krier has achieved achievements, and won the gold award of China silk innovation product. The annual sales revenue of Lu silk series products has now reached 120 million yuan, and the enterprise has won the title of "hundred strong potential enterprises in Shanxi province's pformation and development". Luwu non heritage products have successfully realized industrialization, and have really entered thousands of households and entered the public life.

In December 2012, Wang Shuqin organized the first Lu silk culture forum in China.

Wang Shuqin took the forum as an opportunity to actively organize domestic experts and scholars to set up the Lu Lu Culture Research Association of China and organize an academic forum for Lu silk culture, so that Lu silk culture can be carried forward in the new historical period.

Guizhou Jianhe County Dragon Girl 39 tin embroidery studio corporate legal person

National level intangible cultural heritage (Miao Sn embroidery) provincial representative successor

Reasons for admission: Yu Dashan, who grew up in the depths of her life, has inherited the inheritance of the national non heritage Miao nationality's embroidery skills as a lifelong career, humming the ancient ballads, condensing fingertips from the skills of tin embroidery, and deducing the legend of Miao's Tin embroidery.

Miao embroidery was first included in the national intangible cultural heritage list in 2006. It is a national embroidery method of some Miao villages in Jianhe County of Guizhou province. It is known as the "embroidery skills" on the brink of extinction.

The reason is unique because of its unique embroidery style. Instead of traditional silk, metal tin wire is used to decorate the patterns with tin granules. The patterns are simple and simple, and the colors are noble and elegant.

Dragon female 39, "dragon" is the surname, "female" is my name, "three" is one of the grandfather's names, and "Nine" comes from the father's name.

Her hometown, exhibition village, is located at the top of the mountains in the southern town of Jianhe County, Qiandongnan. Dashan blocks the village from the outside world, so that the Dragon Girl 39 who grew up here can learn the Miao nationality's Tin embroidery, Miao nationality textile and Miao ancient song skills.

In terms of tradition, she is especially respectfully respectfully speaking of tin embroidery. Dragon Girl 39 is meticulous and meticulous.

In October 2007, dragon female 39 was awarded the first batch of Guizhou's Intangible Cultural Heritage Representative successors.

From that moment on, she felt more responsibility and strengthened her determination to popularize tin embroidery.

She has been involved in all kinds of competitions 39 times, not only with many honors, but also the ancient tin embroidery.

In 2008, she was employed in the Cultural Industry Office of the Propaganda Department of the Jianhe county Party committee of the CPC, and was held as the teacher of the "Miao nationality's Tin embroidery training class". In July 2010, she was selected to join the Shanghai World Expo to show the Miao embroidery. In 2014, Miao embroidery was awarded the gold medal at the International Folk Crafts Fair of China (Guizhou) and the third China (Kaili) silver embroidery exhibition; in 2014, in the national embroidery competition of Qiandongnan, it was selected as the "top ten embroidery craft master"; in 2015, the rural tourism development center of Guizhou was hired as the handicraft expert of the advanced design talent training program of the Guizhou Province, and the "Xi embroidery" was awarded the "Silver Award" in the Sixth China silver embroidery exhibition. In 2006, he was awarded the "Qiandongnan famous craftsman" prize by the first prize in the production of craftsmen of tourism commodities in Qiandongnan.

In November 2012, with the help of the local government, she joined the village's embroidered mother, set up a collection of skills, design, processing and sales of tin embroidery studio.

There are more than 50 outstanding embroidered mothers in the past. The studio is based on honesty, and is well received by customers with its skillful handwork and quality products.

Long daughter 93 said, "tin embroidery is the cause of my life. I would like to spend a lifetime to promote it, so that more people can understand it.

In the future, she hopes to set up a museum of tin embroidery, so that more people can see the exquisite workmanship of tin embroidery, so that more women can learn the platform of tin embroidery.

Minzu University of China

Director of national costume Research Institute

Reasons for entry: some say that academic research is not in line with fashion design, but she thinks that research can give inspiration and design to give imagination.

She did not forget the initial intention of the daughter of the Tu nationality and persisted in the inheritance and development of the national costume.

Qi Chunying, director of China Ethnic Costume Research Association, standing committee of national costume Committee of China Museum Association, and vice president of Specialized Committee of China Talent Association.

Splendid China - the deputy director of the China Intangible Cultural Heritage costumes show expert committee, the Museum of Gong Wang Fu and the director of the traditional clothing and clothing Research Institute of the collaborative innovation center of the Chinese traditional arts and crafts revitalization program, Beijing Institute Of Fashion Technology.

As a worker and researcher of Chinese minority dress culture, she spare no effort to apply her valuable experience learned and mastered for decades to the protection, inheritance and development of national costume.

Qi Chunying is deeply rooted in the ethnic minority areas, and has accumulated a lot of field research experience and first-hand research materials through the field research experience, and published a large number of academic research papers, such as "the inheritance and development of Chinese ethnic minorities' clothing", "the main features of Chinese ethnic minority costumes", "Uygur" Er Li silk "craft", "the protection and inheritance and development of the clothing culture of the Oroqen nationality", etc. at the same time, a large number of monographs have been published. For many years,

In addition, she has participated in cultural exchange activities at home and abroad many times, and has brought many lectures and speeches on the theme of ethnic costumes, such as the lectures on Chinese ethnic minorities' costumes in the 2014 Poland cultural week. In 2018, the seminar on the intangible cultural heritage of ethnic minorities in Southwest China was held in the series of cultural activities of the Ministry of culture and the National Ethnic Affairs Commission. In 2018, the keynote speech on "protection, inheritance and development of dyeing, weaving and embroidering of Chinese minorities" was published in the academic forum sponsored by the China Textile Federation.

At the same time, Qi Chunying has constantly combined his research results with fashion design, making the national costume with a long history and profound heritage vividly into contemporary life.

In 2000, he acted as the Chinese culture and American line as the national costume design, production and general counsellor; in 2001, the German Culture Week served as the national costume design, production and general consultant; the 2002 China International Fashion Week - China's ethnic costume art and Art Awards; in November 2003, in the China International Fashion Week held the "national soul - Qi Chunying's national costume special conference"; in 2009, it served as the costumes design and art director of People's Republic of China 60th anniversary Daqing ethnic minorities; 2015, 2016 as director general completed the "wear history" of Yunnan Xishuangbanna, Qinghai Qinghai Hainan Autonomous Prefecture, "the imprint of reincarnation", the grand national costume inheritance evening party and so on.

Southwestern University students majoring in costume design

Reasons for admission: the post-90s college students regard the inheritance and protection of intangible cultural heritage as the responsibility and mission of the younger generation.

With solid knowledge, enthusiasm and new vision, we will add vitality to the innovation and development of traditional culture and traditional skills.

Li Shunliang, who studied fashion design and craft education in Henan Institute of Science and Technology for 2011-2015 years, began studying costume design in Southwestern University in 2015.

As a post-90s college student, like more and more young people, the love of intangible cultural heritage is combined with their hobbies and academic career development direction.

In 2015, he studied Tujia brocade skills at the national intangible cultural heritage Xiangxi Tujia brocade representative inheritor Liu Daie; in 2016, he studied the Miao nationality's cross stitching techniques at the national intangible cultural heritage Xiangxi Miao ethnic cross stitch representative successor Yang Chunying's learning center.

In September 2015, he participated in the China Chengdu international heritage Cultural Heritage Festival. The work of "digital Dong embroidery" was awarded an excellent prize. In October 2016, he participated in the "Raffles Cup" Chinese national costume design competition, and won the bronze medal in the tiger soul. In October 2017, he participated in the Chinese silk dress design competition of "Wan Shi Li", and his work "brilliant silk" was awarded an excellent prize.

In July 2018, he participated in the exhibition of "beautiful Xiangxi, splendid brocade" Tujia brocade exhibition held by Southwestern University Museum. In the 2015-2017 year, he participated in the research project of digital simulation forming technology of traditional weaving technology in Southwest China.

Li Shunliang has participated in the practical activities of intangible cultural heritage projects for many years and made himself grow rapidly in this process.

Making young people the practitioners of heritage and innovation is the only way for sustainable development.

Li Shunliang after 90 is not the first, nor will it be the last young person who falls in love with non heritage. They will become an important force for Heritage Inheritance.

Heng Yuan Xiang (Group) Co., Ltd. chief embroidery staff of the original embroidery workshop

National level intangible cultural heritage (Shanghai embroidery) national representative successor

The reason for admission: skillful hand-painted "Oriental Oil Painting", the guardian of the national non heritage Shanghai embroidery technology, with ingenious innovation of Shanghai style embroidery techniques, creating masterpieces with needle tips, and cultivating outstanding inheritors.

Woolen embroidery is a newly developed traditional arts and crafts in Shanghai. It is a fine arts and crafts crystal embroidered on special mesh linen with colored wool yarn.

Its products are rich in color, harmonious in color, well embroidered, clear in level, vivid in shape and vivid in appearance.

Li Qiang is the representative of the fifth batch of national intangible cultural heritage projects (Shanghai embroidery).

1972 was admitted to Shanghai arts and crafts Hongxing embroidery factory industrial middle school. After graduating in 1975, he worked in the Red Star embroidery factory in Shanghai for the creation of embroidery crafts. He was educated by the famous embroidery craft teacher Ling Di and Tang Gendi. In 1995, he was the only representative of the embroidery industry to take part in the fourth World Conference on women held in Beijing. He participated in the "Chinese traditional handicraft technology female skilled operation performance" held by the Council, and won the acclaim from the heads of state and the delegates.

In 1998, he was appointed team leader of Red Star embroidery factory, and was pferred to Red Star embroidery factory's production and operation office in 2000 as director of embroidery technology. In 2004, he applied to Heng Yuan Xiang (Group) Co., Ltd., the original embroidery workshop, to be the chief embroidery technician.

Shanghai embroidery is famous for its portraits of great men and celebrities. The portrait is vivid and infectious, and is praised as "Oriental Oil Painting".

Li Qiang's embroidery works have been recognized and collected many times.

其中2000年，绒绣《总设计师—邓小平》获得2000杭州西湖博览会首届中国工艺美术大师作品暨工艺美术精品博览会优秀创作奖;2005年，绒绣《朱德同志像》被四川南充仪陇朱德故居纪念馆收藏;2007年，绒绣《人民的公仆——周恩来》被江苏淮安周恩来故居纪念馆收藏; 2008年，绒绣《伟大领袖——毛泽东绣像》被湖南韶山毛泽东同志纪念馆收藏;2008年，领衔绣制《国际奥林匹克委员会历任主席绒绣像》8幅，参加了2008年北京奥运会博览会等展览;2009年，绒绣《孙中山绣像》在南京中山陵纪念孙中山先生奉安80周年纪念活动中捐赠给台湾国父(孙中山)纪念馆;2011年绣制《纪念金日成主席诞辰100周年》，通过中国人民对外友好协会赠送给朝方;2012年为英国女王登基60周年绣制《伊丽莎白女王像》;2015年绣制完成《国际奥委会主席托马斯·巴赫像》，赠送给国际奥委会博物馆收藏

。

His works have also participated in the exhibition of "Shanghai's intangible cultural heritage" handicrafts, the 2017 national handicraft industry fair and the traditional arts exhibition of intangible cultural heritage, the second intangible cultural heritage exhibition of "Tiangong Kai", the exhibition of "handicraft skills at fingertips" in Shanghai, and many other exhibitions at home and abroad.

Suzhou Shang Ji Kai silk technology culture Co., Ltd., Wujiang Dingsheng silk Co., Ltd.

Chairman

The reason for entry is: the practitioner and leader of "non heritage production protection".

On the basis of restoring the traditional techniques of the Song Dynasty, he successfully developed the modern weaving equipment of Song Jin and organized the drafting and implementation of the national standard for song brocade products.

Wu Jianhua was born in Shengze, a long silk town in Suzhou.

He graduated from university in 1989 and returned to Shengze to work in the new silk weaving factory. Since then, he has embarked on his persistent and obsessed "Silk Road".

In 2000, Wu Jianhua set up Wujiang Dingsheng silk Co., Ltd., starting from 64 shuttle looms and concentrating on the production and weaving of real silk. In a few years, it became a leader in Suzhou's silk industry.

In 2009, Wu Jianhua bought the silk factory which was on the verge of collapse.

For a long time, his "Silk complex" is not only confined to the silk business. Instead, he spent more time studying and researching silk technology.

Once he was free, he plunged into the textile books, studied the weaving methods of various silk fabrics, studied the designs of various patterns, and explored the principles and structures of textile machines.

No pains, no gains.

The accumulation and training of Wu Jianhua made silk weaving more and more exquisite.

From December 2011 to March 2012, Wu Jianhua led the team to successfully develop an electronic jacquard machine that accords with the traditional brocade weaving technology and technical parameters, becoming the practitioner and leader of Song Jin's "productive protection".

In 2013, Wu Jianhua spent the first time building the song brocade cultural park with the theme of song brocade, which combines science education, eco recreation and tourism shopping.

In recent years, Wu Jianhua has also worked with Donghua University, Beijing Institute Of Fashion Technology and other famous designers to give full play to the artistic characteristics of song brocade. He has carried out the diversification and multi scene research and development of song brocade products, and unified the "national brand", which was founded in 1889.

"Shang Kai Kai", as the Song Jin brand, is the only fabric designated for the 2014 APEC clothing material in Beijing. In 2015, the world's anti fascist war victory 70th anniversary gift bag was also the brand of the 2016 China Hangzhou G20 summit.

Under the influence of the past 30 years of silk culture and history, Wu Jianhua made silk culture as the carrier and technological innovation as the concept, relying on the profound historical and cultural details of the silk industry in Suzhou, and pioneering the silk road. On the basis of restoring the traditional techniques of song brocade, the modern weaving equipment of song brocade was successfully developed and realized, and the industrialization and cluster development of song brocade were realized.

At the same time, Wu Jianhua also actively promoted the product development of Song Jin, improved the output and quality of Song Jin, expanded the application field, organized and promoted the drafting and implementation of the national standard of Song Jin, and created conditions for the healthy and sustainable development of Song Jin industry.

Let the ancient silk culture get out of the cold writing, and enter into modern life with its rich cultural deposits and rich products.

No. 10 Zhang Yichao Han nationality

Ji Ji He (Hangzhou) culture and creative Co., Ltd.

Chairman and design director

Reasons for admission: she has always been like a dazzling flower, bears the designer's sense of responsibility and mission, so that the quiet years of Rongchang grass cloth stood at the forefront of fashion in a new perspective. She used her unique design and creation to bloom the essence of Chinese traditional culture.

As a fashion designer, Zhang Yichao persisted in using his design and creation to convey a happy and happy life attitude to people.

In 2003, he won the top ten fashion designers in China and won the Creative Award of Chinese fashion designers in 2009. He served as the artistic director of Chongqing international fashion week and Executive Committee of the Fashion Art Committee of China fashion designers for four consecutive years in 2014~2017. In 2016, he created a collection of all kinds of life art and custom panoramic collection -- Hangzhou Ji Ji and culture creation Co., Ltd., in 2016, he was selected as the designated designer of Chongqing Rongchang cloth cloth promotion conference.

In 2016, Zhang Yichao broke the Convention and first promoted the national intangible cultural heritage, Rongchang's Rongchang cloth, for the first time on behalf of Rongchang District of Chongqing.

Since then, she has implanted three traditional cultural factors of the national intangible cultural heritage project, Rongchang cloth, Rongchang pottery and Rongchang folding fan, which combines the Chinese traditional culture with modern fashion and leads the fashion trend.

Since then, she has held the Rongchang summer cloth fashion in China fashion week for 2 consecutive years. She has been highly valued and concerned. As the only representative of Chinese designers, she participated in the Chinese cultural year exchange event held in Perth, Western Australia.

In 2018, during the "cultural and Natural Heritage Day", she once again brought the Rongchang grass cloth into the public view. In the Museum of Gong Wang Fu, with the theme of "east of the dream of ramie", a "Splendid China" - China's intangible cultural heritage costumes shows.

In 2017, Zhang Yichao once again played cards without a common sense, guided by "creating a good platform, providing good products and integrating good brands", and creating a new platform space with unique concepts -- "set up and set up".

She explained that she was a representative of the Federation, represented by representatives, and represented representatives of real estate (Entrepreneurship).

She hopes to build a new platform with a completely new mode of operation.

One is to work with Zhejiang Sci-Tech University, Wuhan Textile University and other universities to push students' works to the market, to consider and create new generation of design talents; two, to promote the copyright trading of designers, to connect original design with brand enterprises, and to enhance the original design ability of enterprises; three, to provide goods trading, promote product optimization and iteration, and quickly understand the market demand.

Carry forward the spirit of China and the essence of Chinese traditional culture, and express the strong influence of great power culture through the expression of China's excellent traditions through fashion language. This is the feeling that designer Zhang Yichao brings to us, and fully demonstrates her profound design skills and talents.

Daly silk (Zhejiang) Co., Ltd.

Party secretary and Chairman

Reason for admission: there is a belief that "looking up at the stars, down-to-earth"; there is a kind of insistence, called "the cause of the silk industry"; there is a feeling called "inheritance of Chinese civilization".

That is how he sticks to the inheritance and development of silk culture. He is down to earth and has made brilliant achievements.

Lin Ping, secretary and chairman of the Party committee of Daly silk (Zhejiang) Co., Ltd., vice chairman of China Silk Association, vice president of China Fashion Color Association, vice president of China Textile chamber of Commerce, vice president of China Textile entrepreneur association, President of the sixth, Seventh National People's Congress of Shaoxing, president of Daly School of women's wear, Hangzhou Vocational and Technical College.

In the past 40 years, it has won many honors from the national textile industry model worker, the national outstanding textile entrepreneur and the national textile industry's "12th Five-Year" innovator.

Silk has evolved into a kind of essence and spirit, integrating into Lin Ping's life and soul.

He has always been a mission and duty to inherit and promote silk culture.

Since 2002, he has persistently organized the opening of silk knowledge lecture hall. By way of giving lectures personally (silk weaving and traditional patterns) and employing professional professors in Colleges and universities, all staff have fully and systematically understood the traditional silk patterns, weaving techniques and silk culture.

At the same time, he also actively selected outstanding staff to carry out production study in silk professional colleges, organized professional teams to conduct in-depth research and analysis of brocade skills, and jointly carried out the investigation of the actual operation of traditional skills, familiar with traditional brocade processing techniques, excavated and applied excellent traditional techniques, and worked out more scientific and reasonable replication methods, so as to achieve the level of industrialization development, laying a solid foundation for traditional silk weaving and protection work.

On the basis of silk culture, he also led the team to actively innovate. The company now has 71 effective patents, including 9 invention patents, 13 utility models and 18 copyrights. It has participated in the revision of 24 national and industrial standards, 3 items of cocoon and silk development, and has been designated as 11 provincial-level industrial products. Among them, the products of strong elastic cut and silk fabrics have been identified as excellent industrial new products in Zhejiang. "The color process characteristics of silk and its key technology and industrialization of silk products" have been awarded three of the scientific and technological progress of textiles. "The key technology research and jacquard product development of special mulberry silk and blended fabrics" have been evaluated by the China Textile Industry Federation as two awards for scientific and technological progress. Heritage tradition

In recent years, Lin Ping has led the Daly silk team to be active in various display stages at home and abroad. Daly's silk products have also been widely praised.

Fabric design and manufacture; in 2015, invited to the "93 parade" national ceremony manufacturing enterprises, launched the characteristic 6mm Shaoxing "peace song" silk scarf; in June 6, 2015, successfully held the "world diplomat silk conference", received the world diplomats association organization, from the United Nations development program, the Shanghai cooperation organization Secretariat, and 40 "diplomats" along the 30 countries along the "one belt" along the way, and unveiled the "world diplomat club" for the first silk business in the world. In 2016, during the G20 Hangzhou summit, the VIP exclusive zone was set up in the China Silk Museum to introduce the unique silk culture for distinguished guests at home and abroad. In 2014, Dali silk Co., Ltd. provided leaders clothing for the APEC conference.

No. 12 AI guard Han nationality

Tongxiang Fengtong Yu Lan printing fabric Co., Ltd.

General manager

Reasons for entry: the water in the south of the Yangtze River is painted by the ingenuity, and the flowers and flowers in Zhejiang are restored. The printing and dyeing technology of Tongxiang's blue prints has been restored and developed.

Mourning guard, China's industry and beauty industry art master, Zhejiang craftsman, master of Arts and crafts in Zhejiang Province, outstanding entrepreneur of Zhejiang arts and Crafts Industry Association, and Zhejiang non Heritage Representative successor.

As of 2017, his works have won 12 gold medals, 13 silver medals and 7 bronze prizes, and have received wide attention and praise from experts, scholars and all walks of life.

In 2014, the impression of Wuzhen was awarded the silver award from the Eighth International Biennial of fiber art from Lausanne to Beijing. The 2016 year old blue print home work "Wuzhen impression - Pillow water family" was obtained by the Tsinghua Academy of fine arts for its permanent display.

Founded in October 2003, Tongxiang Shimen Qing Yi handicraft factory; in November of 2003, founded Tongxiang Fengtong Yu Lan printing and Weaving Co., Ltd., it has been committed to the protection, development and innovation of Tongxiang's blue print and dyeing technology in the national intangible cultural heritage project. In August 2015, Ai Wei was appointed director of the Council of Tongxiang cultural center, and he was more active in assisting all sectors to promote and carry forward the intangible cultural heritage. In 2016, the guard was hired as a visiting professor of Shenyang University Academy of Fine Arts, and lectures on intangible cultural heritage courses were carried out in schools. In the "Zhejiang Arts and crafts", he published "the exploration of the development of Tongxiang folk blue printed cloth", "the personalized expression of blue print technology" and many other papers. June 1999

In recent years, in order to further promote the inheritance, protection and innovation development of Tongxiang blue calico printing and dyeing technology, the security guard led his team to explore a special development mode:

Design dialogue with the professional team of Tsinghua University, including fiber art and dyeing and garment department, Beijing Institute Of Fashion Technology and other universities, to explore the development status of blue printed cloth and promote industrial development with academic research.

Set up the blue print cloth exhibition hall, collect and collate the traditional Tongxiang blue print pattern, and arrange and protect the Tongxiang blue calico traditional pattern through the combination of pictures and texts, so as to provide research reference for the research of blue print pattern characteristics and techniques, local customs and folk customs.

A standardized chromatograph was established, and the color separation of blue printed cloth was carried out in the dyeing workshop of Fung Tong Yu hundred years. The indigo dyeing of plants reached 80 degrees of color by mature techniques.

On this basis, the blue print with ten colors is dyed.

At the same time, we continue to study the blue dyeing effect of different natural fabrics such as cotton, linen, silk and wool.

We have increased the intensity of innovative design and the research and development of derivatives. We have designed a practical blue print fabric that is suitable for modern life with different colors, different fabrics and different innovative patterns.

The research launched a series of young blue printed cloth practical cloth products, involving clothing, accessories, bags and scarves, scarves, stationery and so on.

Create a new marketing mode, through the online and offline channels to display and sell Tongxiang blue printed cloth innovative products.

Taking advantage of the opportunity of the world Internet congress to settle in Wuzhen, Tongxiang, we actively seek cooperation with the major electricity suppliers. Based on the existing Taobao shop, we develop micro business platform and increase sales channels for blue printed cloth.

Secondly, it also makes innovation and pformation of the entity store, and pforms Wuzhen Yuxing cloth workshop into a new type of Tongxiang blue print flower living hall. The products are all made of blue printed cloth for the new season, integrating the intangible cultural heritage into modern life.

No. 13 Qian Xiaoli Dai nationality

General manager, Yuxi embroidery Trade Co., Ltd.

The head of the Yi embroidery embroidery base of Xiaolong Yi

The reason for admission: she is a little dragons that flies away from the needle, carrying the great dream of Dian embroidery, and deducing the ballet of needles, which drives the peasant women to realize the dream of getting rich by employment, helping poor families to walk out of poverty, and leading the embroidered girls in the mountains to embroider the pursuit and yearning for a better life with needlework.

Xiaolong Yin is the title of the Dai language to the little sister. In 2015, after many years of work experience, Qian Xiaoli could never forget the beautiful dream of flying needle and thread. He resolutely regained his ancestral skills and was determined to do a career for the inheritance of embroidery of Yunnan local people. She set up Yuxi embroidery top trade limited company to create "Xiaolong Yin" brand.

In recent years, there have been 3 provincial intangible cultural heritage embroidery skills inheritors leading 180 embroidered masters to form a contract embroidered mother team. Embroidery products range from the original baby products to adult clothing, home accessories, handicrafts and other fields, and economic efficiency has also improved year by year, becoming a well-known national embroidery enterprise.

Xiaolong Yin continues to carry forward the three embroidery brand concept of "embroidered mother, embroidery and embroidery". It adopts the operation mode of "inheritance + training + innovation", and uses the propaganda channel of "lecture + Exhibition + promotion", through the sales method of "online sales + offline experience + business cooperation", concentrates on the inheritance of Yunnan minority embroidery skills and the protection and innovation of minority products.

Qian Xiaoli led the embroidered ladies to fully excavate the characteristics of Dian embroidery, and developed 7 categories of products, more than 200 single products.

In July 2016, the company won the two prize of innovation and entrepreneurship competition in Hongta District of Yuxi. In April 2017, the company was identified as "Yunnan science and technology SMEs" by the Yunnan provincial science and technology department. In July, the embroidery products of Xiaolong Yin base were awarded 2, 2, three and so on by the first prize of the "Gong Mei Cup" of the Yuxi fair. The women's Federation of Yuxi was awarded the "model of poverty alleviation for women's poverty". In 2017, they participated in the first National Conference on textile intangible cultural heritage. In July, 2018 was officially operated in Xiaolong's Lijiang entity store in July. In the same month, Xiaolong Yin was awarded two prize by the provincial industrial and Commercial Commission of Yunnan, the "Founding guest China country" business innovation competition, in April 2017.

As of August 2018, Xiaolong Yin base had driven more than 600 embroidered girls, and 10 non heritage embroidery (including 3 provincial level, 1 municipal level, 6 district level, 17 of the city's successors, 10 small, 59%).

The establishment of Xiaolong Yin embroidery mother base 5, Xiaolong Yin embroidery training hall 5, a total of 40 embroidery training, more than 2000 training personnel, including 40 poor families who set up archives, led the Yuxi peasant women to realize the dream of getting rich in employment, helping a group of poor families embark on the road to poverty.

Beijing Xiang Dai palace brand culture Co., Ltd.

Chairman

Reasons for admission: never give up poetry and distance, cheongsam culture is to let her like spring.

Adhere to the development of Qipao dress to continue the fine traditional culture of the nation, convey Chinese life and interpret oriental charm.

Gong Hangyu, China's ten outstanding designers, lecturers of cultural accomplishment, poets and international exchange ambassadors of cheongsam culture, has been hailed as "the first modern cheongsam" by the fashion media.

She graduated from Wuhan University, then went to Korea and France to learn costume design.

In the youth period, there were nearly 40 countries, and the rich experience made her design unique and unique.

Some people have said that the beauty of cheongsam should be classical and immutable.

She did not think so. Through her unique insights and unique avant-garde design, the Chinese style of the modern cheongsam was clearly displayed.

Gong Hangyu had a special liking for Qipao. In 2013, she created the brand of the fragrant Daiyuan palace independently, creating the concept of fashion cheongsam, and giving the traditional clothes new life.

She explained that "Xiang" is a word with its own sense of history. It is like a wine that needs to be precipitated and fermented, and experienced a long wait, and the aroma begins. "Dai" is quiet and classical. It was black and blue in ancient times. Women used to thrush, and Chinese ink and wash paintings were often used in daisy.

In addition, the palace is one of the five tones of ancient music, with a sense of rhythm.

This brand name not only shows the beauty of the cheongsam's rhyme, but also accords with the elegant and brilliant oriental culture concept advocated by her.

In 2014, Gong Hangyu was named "Guanghua Dragon Award", the ten outstanding young people in China's design industry, the global lady competition, the designated etiquette teacher in the whole country and the world, and the designer of the New Zealand royal family.

In 2015, he was chosen as the designer of Milan World Expo fashion dress and the love ambassador of Shanghai Song Qingling foundation.

In 2017, she took the brand of Xiang Dai palace and participated in many cultural exchange activities at home and abroad. In the Imperial Palace, he performed the Chinese dress for the wife of the 28 heads of state in the "one belt and one road". He made 40th anniversary international exchange of cheongsam culture in San Francisco, Mexico and South America in Surinam, and made the cheongsam performances for the 520 outstanding representatives of Shanghai CCTV Spring Festival Gala.

In 2018, he participated in the UN "40th anniversary China culture day" in the reform and opening up, and was appraised by the United Nations as "outstanding Chinese artist in the world".

Gong Hangyu is a man who yearns for poetry and distance. He writes essays, "smart women flowers".

There is no elegant oriental charm in her body.